Sans Superellipse Ibgat 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Murat Grotesque' by Bülent Yüksel, 'Akkordeon' by Emtype Foundry, 'Sharka' by PeGGO Fonts, 'Dohrma' by The Northern Block, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, sports, industrial, retro, athletic, authoritative, playful, impact, branding, display, compactness, rounded, squared, condensed, blocky, soft corners.
This typeface is built from compact, rounded-rectangle forms with consistently softened corners and thick, even strokes. Curves resolve into squarish bowls and superellipse-like counters, producing a tight, vertical rhythm and dense word shapes. Terminals are blunt and mostly flat, and several letters use small internal notches or slits that emphasize the sculpted, stencil-like construction. The figures and capitals follow the same blocky geometry, with simplified curves and robust joins that keep the texture uniform at display sizes.
It performs best in short, high-impact settings such as headlines, posters, packaging callouts, event graphics, and signage where its dense texture and rounded-block construction can carry the layout. It can also suit logo and wordmark work that benefits from a sturdy, geometric voice, particularly in all-caps or brief phrases.
The overall tone is bold and confident with a retro-industrial flavor, reminiscent of signage, sports titling, and poster typography. Its chunky geometry feels functional and strong, while the rounded corners keep it from becoming harsh, adding a slightly playful, graphic character.
The design appears intended to deliver maximum visual impact through compact proportions, uniform stroke weight, and rounded-rectangular construction. Its notched interiors and blunt terminals suggest a deliberate, engineered look aimed at strong display typography rather than extended reading.
Spacing appears tight and the heavy massing creates strong color on the page, especially in all-caps settings. The distinctive cut-ins and narrow apertures make it most effective at larger sizes where the internal detailing stays clear.