Sans Superellipse Ibgat 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bladi Two 4F' by 4th february, 'Area51' by Comicraft, 'OL Butterfly' by Dennis Ortiz-Lopez, 'Bathysphere' by Kickingbird, and 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, playful, retro, friendly, chunky, bold, high impact, geometric unity, friendly display, retro flavor, rounded, geometric, soft corners, compact, sturdy.
A heavy, rounded sans with a superelliptical construction: bowls and counters feel like softened rectangles rather than perfect circles. Strokes are consistently thick with minimal contrast, and joins stay blunt and compact, producing a dense, blocky rhythm. Terminals are squared-off with generous rounding, and apertures are generally tight, giving letters like C, S, and a a sturdy, enclosed feel. The lowercase uses single-storey a and g, with short, thick arms and simplified shapes that prioritize solidity over delicacy; numerals follow the same chunky, rounded-rectangle logic.
This font is well-suited to headlines, posters, and branding where a bold, rounded geometric voice is desired. It can work effectively in logos, packaging, and short UI/label applications that benefit from high impact and a friendly, retro-modern feel, especially at medium to large sizes.
The overall tone is upbeat and approachable, with a strong mid‑century/retro display energy. Its softened corners and compact counters make it feel friendly rather than aggressive, while the sheer mass and squareness add a confident, poster-like presence.
The design appears intended to deliver maximum visual impact through simplified, superelliptical forms and tightly controlled, uniform stroke weight. It aims for a distinctive display presence that remains approachable by rounding corners and keeping details minimal and geometric.
The distinctive rounded-rectangle geometry creates a cohesive texture in lines of text, especially at larger sizes. Because counters and apertures are relatively narrow, the face reads best when given enough size and spacing, where its sculpted interior shapes remain clear.