Sans Superellipse Osdeb 13 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Masifa Rounded' by Hurufatfont, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Nephrite' by Nine Font, 'Greeka' by Umka Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, sporty, compact, punchy, space saving, high impact, modern utility, branding, blocky, condensed, rounded corners, closed apertures.
This typeface is built from dense, compact letterforms with thick strokes and minimal internal space. Curves tend to resolve into rounded-rectangle shapes, giving bowls and counters a squared-off, superelliptical feel rather than true circles. Terminals are blunt and clean, with crisp joins and a generally uniform stroke presence that keeps the texture even. Proportions are tight and efficient: capitals read tall and compact, while the lowercase shows a prominent x-height with short ascenders and descenders, producing a steady, stacked rhythm in text.
Best suited to short, high-impact settings such as headlines, posters, labels, and brand marks where a dense, compact presence is an asset. It also works well for signage or UI callouts when used at larger sizes, where its strong shapes and squared rounding remain clear. For extended reading or small sizes, its tight counters and heavy color are more likely to feel overwhelming.
The overall tone is forceful and utilitarian, with a contemporary, no-nonsense voice. Its compact geometry and heavy color suggest signage, athletic branding, and engineered products—messages meant to be seen quickly and understood at a glance.
The design appears intended to deliver maximum impact in a compact footprint, combining heavy stroke presence with rounded-rectangle geometry for a modern, engineered look. Its tall lowercase and condensed structure suggest an emphasis on space efficiency and immediate legibility in display contexts.
The design favors closed or nearly closed apertures and tight counters, which amplifies its bold, poster-like density. Round characters like O/C/Q and numerals lean into squared curvature, reinforcing a techy, constructed character. In running text, the strong vertical emphasis creates a firm cadence, while the heavy weight can cause spacing to feel tight at smaller sizes.