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Sans Superellipse Orkad 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Prelo Compressed' by Monotype, 'PT Sans Pro' by ParaType, 'Akwe Pro' by ROHH, 'Mynor' by The Northern Block, 'Eastman Condensed' by Zetafonts, and 'Coben' by cretype (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, condensed, impactful, functional, modern, space saving, high impact, modern utility, display clarity, blocky, squarish, compact, tight, sturdy.


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A compact, condensed sans with rounded-rectangle construction and blunt terminals. Curves are squared-off into superellipse-like bowls (notably in C, O, Q, and the lowercase rounds), while vertical strokes stay straight and uniform, giving a firm, poster-ready texture. Counters are relatively small and apertures tend to be tight, producing a dense rhythm in text. The lowercase shows simple, sturdy shapes with minimal modulation, and the figures are straightforward and heavy, built to hold up at display sizes.

Best suited to headlines and short bursts of copy where density and punch matter—posters, packaging, signage, and brand marks that need a compact footprint. It can work for subheads and UI labels when space is constrained, but the tight apertures and dense texture suggest using it at moderate-to-large sizes for maximum clarity.

The overall tone is assertive and workmanlike, with a contemporary, industrial feel. Its squarish rounding reads modern and utilitarian rather than friendly or calligraphic, emphasizing clarity and impact. The tight spacing and compact proportions push it toward attention-grabbing, no-nonsense typography.

The design appears intended to deliver a condensed, high-impact voice with a geometric, rounded-rectangle skeleton. By keeping shapes simple and counters tight, it aims for strong presence and efficient use of horizontal space while maintaining a consistent, constructed look.

Stroke endings are predominantly flat, and the geometry stays consistent across rounds and straights, reinforcing a constructed, engineered character. The ampersand and punctuation follow the same simplified, compact approach, contributing to an even, uniform color in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸