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Free for Commercial Use

Serif Normal Lyhi 8 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio and 'Ora Sepira' by Differentialtype (names referenced only for comparison).

Keywords: headlines, editorial, book covers, magazines, posters, authoritative, traditional, formal, bookish, impactful text, classic authority, editorial tone, warm tradition, bracketed, calligraphic, ink-trap, ball terminals, tapered.


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This is a robust text serif with pronounced contrast between thick verticals and finer connecting strokes, paired with generously bracketed serifs. Curves are full and slightly faceted, with subtle tapering into terminals and occasional ball-like terminals (notably in lowercase), giving the outlines a gently calligraphic, inked feel. Counters are compact and the overall color is dark and even, creating strong presence at display sizes while retaining a conventional text rhythm. Numerals and capitals feel sturdy and classical, with a slightly varied, hand-cut energy in stroke endings and joins.

Well-suited to editorial headlines, magazine layouts, and book-cover typography where a classic serif voice with high contrast is desirable. It should also work for posters and pull quotes that benefit from dense, dark typographic color and traditional forms.

The font conveys a traditional, authoritative tone with a distinctly editorial flavor. Its dark weight and crisp contrast suggest seriousness and confidence, while the softened bracketing and rounded terminals add warmth and a faint old-style charm.

The design appears intended to deliver a classic, conventional serif structure with added weight and contrast for impact, while preserving readability and familiar proportions. Details like tapered terminals and rounded finishing strokes suggest an aim to combine traditional text-serif credibility with a slightly expressive, inked character for display-forward settings.

The uppercase set reads stately and stable, with wide, confident verticals and neatly finished serifs. The lowercase shows more personality through rounded joins and terminal shapes, which can make headings feel expressive without tipping into novelty. The overall spacing and rhythm look comfortable for short-to-medium passages where a strong typographic voice is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸