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Free for Commercial Use

Sans Normal Jidaz 6 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Bilton' by Fettle Foundry, 'Plymouth Serial' by SoftMaker, 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection, and 'Mumford' by fragTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, assertive, contemporary, headline-ready, impact, momentum, attention, modernity, display, oblique, clean, compact, rounded, high-impact.


Free for commercial use
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A heavy, oblique sans with compact proportions and smooth, rounded curve construction. Strokes are thick and steady with modest modulation, producing solid, dark letterforms and tight interior counters. Terminals are clean and unadorned, and the oblique angle is consistent across capitals, lowercase, and numerals, creating a forward-leaning rhythm. Overall spacing reads fairly tight, emphasizing density and impact rather than airiness.

Best suited for large-scale typography such as headlines, posters, campaign graphics, and bold brand lockups where strong emphasis is needed. It can also work well on packaging and apparel-style graphics that benefit from a sporty, high-impact feel. In longer text, its dense weight and tight counters will be more effective at larger sizes than in small, continuous reading.

The overall tone is urgent and athletic, with a forward slant that feels active and driven. Its dense color and sturdy shapes give it an assertive, confident voice suited to attention-grabbing messaging. The style reads modern and pragmatic rather than decorative or nostalgic.

The design appears intended to deliver a strong, modern sans voice with a pronounced forward motion, maximizing impact and immediacy. It prioritizes bold presence, consistent oblique rhythm, and compact efficiency for display-centric typography.

The numeral set matches the same compact, weighty construction, keeping a uniform texture in mixed alphanumeric settings. Curved letters like C, O, and S maintain smooth, continuous arcs, while diagonals (A, K, V, W, X, Y) feel sturdy and angular, reinforcing the energetic cadence.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸