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Free for Commercial Use

Sans Superellipse Ginus 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Bio Sans Soft' by Dharma Type, 'Asket' by Glen Jan, 'Mazot' by Hurufatfont, and 'Project Sans' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, bold, friendly, modern, playful, confident, impact, friendliness, modernity, brand voice, display strength, rounded, geometric, soft corners, blocky, high impact.


Free for commercial use
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This typeface is built from chunky, geometric shapes with rounded-rectangle curves and softly squared terminals. Strokes are heavy and even, with minimal modulation, producing dense counters and strong silhouettes. Curves in letters like C, G, O, and S read as superelliptical rather than purely circular, while verticals and horizontals stay blunt and stable. The lowercase is compact and sturdy, with a single-storey a and g, a short-armed r, and a dot on i/j that is squarish and substantial. Numerals are wide and blunt, with a compact, heavy 8 and a closed, blocky 9.

Best suited to headlines, display typography, packaging, and brand marks where strong, rounded geometry can carry a message from a distance. It also works for short UI labels or signage when a friendly, high-contrast-in-size (not stroke contrast) presence is desired, but it is less ideal for small text or dense paragraphs due to its heavy color and compact counters.

The overall tone is assertive yet approachable, combining poster-like heft with rounded friendliness. It feels contemporary and energetic, leaning toward playful branding and bold communication rather than neutrality.

The design appears intended to deliver maximum visual impact with a softened, contemporary feel—pairing very heavy strokes and tight interiors with rounded geometry to keep the tone approachable. It prioritizes recognizability and bold texture in display contexts.

Spacing and internal counters appear intentionally tight for impact, which boosts presence at large sizes but can create dark texture in longer lines. Diagonal forms (K, V, W, X, Y) are broad and sturdy, contributing to a solid, athletic rhythm across all-caps settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸