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Free for Commercial Use

Sans Superellipse Idnup 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Faculty' by Device, 'FF Kaytek Headline' by FontFont, 'Bumper' by HVD Fonts, 'Allotrope' by Kostic, 'Fact' by ParaType, 'Sans Beam' by Stawix, and 'Ansage' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, assertive, playful, impactful, retro, friendly, attention, bold branding, retro display, friendly impact, blocky, squared-round, compact, chunky, soft corners.


Free for commercial use
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This typeface is a heavy, blocky sans with a squared-round (superellipse-like) construction across bowls and counters. Corners are broadly rounded, terminals are blunt, and strokes maintain a consistent, solid presence with minimal modulation. The overall proportions feel compact and sturdy: wide vertical stems, short apertures, and large internal counters that stay squarish rather than circular. In text, spacing reads tight and rhythmic, with a strong rectangular silhouette and slightly varied letterfit that adds a lively, poster-like texture.

Best suited for display settings where maximum impact is needed: headlines, large UI callouts, posters, packaging, and bold brand marks. It can work for short subheads or labels, but its dense forms and tight apertures make it less ideal for long-form reading.

The font projects a bold, no-nonsense voice that still feels approachable due to its rounded geometry. Its chunky shapes and tight rhythm evoke a retro display sensibility—confident, energetic, and a bit humorous—well suited to attention-grabbing messages.

The design appears intended to deliver a strong, compact typographic block with softened corners—combining high visibility with a friendly, contemporary-geometric feel. Its construction prioritizes consistent mass, sturdy letterforms, and a distinctive squared-round silhouette that remains recognizable in large-scale applications.

Round letters such as O, Q, and G resolve into rounded-rectangle forms, while diagonals (V, W, X, Y) appear sturdy and simplified to match the heavy weight. Numerals are large and block-forward, designed to hold their shape at distance. The overall look favors impact and uniform color over delicate detail, so small sizes may crowd as the apertures close in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸