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Sans Normal Udbiw 7 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FS Blake' by Fontsmith, 'Ragik Sans' by Hurufatfont, '19-PRA' by ILOTT-TYPE, 'Contemporary Sans' by Ludwig Type, 'Boutique' by Milieu Grotesque, and 'Artigua' by Picador (names referenced only for comparison).

Keywords: ui text, branding, headlines, posters, signage, modern, confident, friendly, clean, pragmatic, clarity, neutrality, versatility, modernity, legibility, rounded, sturdy, neutral, geometric, open counters.


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This typeface is a sturdy sans with a largely geometric construction and subtly rounded joins. Strokes are consistently heavy with clean terminals, producing compact, well-contained letterforms and an even overall color. Curves are smooth and close to circular in O/C/G and the bowls of b/p/q, while straight-sided forms (E/F/H/I/L/T) stay crisp and squared, creating a balanced mix of round and rectilinear shapes. Counters are generally open and legible, with a single-storey a and g contributing to a simplified, contemporary texture; numerals follow the same solid, straightforward drawing with clear differentiation between forms.

It works well for UI labels, product interfaces, and information design where clarity and a steady typographic color are priorities. The weight and compact forms also suit headlines, branding systems, posters, and signage that need a direct, contemporary voice without ornamental detail.

The overall tone is modern and dependable, with a friendly edge coming from the rounded geometry and uncomplicated lowercase. It feels confident and utilitarian rather than expressive, reading as approachable and professional in continuous text while still having enough weight to stand up in attention-setting applications.

The design intention appears to be a straightforward, modern sans optimized for clear communication and a consistent, confident presence. Its simplified lowercase and geometric curves suggest an emphasis on neutrality, legibility, and broad usability across editorial and display contexts.

Spacing appears generous enough to keep the heavy strokes from clogging in paragraphs, and the large, simple lowercase shapes help maintain clarity at a range of sizes. The design’s rhythm is steady and even, with minimal calligraphic influence and a focus on consistent, repeatable shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸