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Slab Square Talak 11 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Fried Chicken' and 'Texicali' by FontMesa, 'Corporative Slab' by Latinotype, 'Weekly' by Los Andes, and 'Egyptian Slate' and 'Prelo Slab Pro' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, editorial display, robust, sporty, retro, confident, editorial, impact, momentum, ruggedness, headline clarity, branding, bracketed slabs, ink-trap feel, angular joins, compact apertures, high shoulder.


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A heavy italic slab serif with broad, sturdy strokes and distinctly squared, slabby terminals that read as compact and assertive. The letterforms show a moderate rightward slant and a tight, energetic rhythm, with sturdy verticals and slightly compressed counters that keep the texture dense at display sizes. Serifs are substantial and mostly blunt, with subtle bracketing and occasional sharp notches where strokes join, giving some glyphs an ink-trap-like bite. Numerals and capitals are weighty and stable, and the overall texture stays uniform and punchy across lines of text.

Best suited to headlines, posters, and other display applications where a dense, forceful texture is an advantage. It also fits sports or workwear-style branding, packaging labels, and editorial callouts that need a bold, energetic voice. For longer passages, it will be most comfortable at larger sizes with generous spacing.

The font conveys a tough, confident tone with a sporty, vintage-adjacent flavor. Its italic stance and dense color add urgency and motion, while the slab structure keeps it grounded and authoritative. The overall impression is bold and practical rather than delicate or formal.

The design appears intended to combine the sturdiness of a slab serif with the forward momentum of an italic, producing a compact, high-impact display face. Its squared terminals and dense color emphasize durability and clarity, aiming for strong presence in branding and headline typography.

In text, the heavy slabs and compact apertures create strong word shapes and a pronounced baseline presence. The italic angle is consistent and the squarer terminals keep the forms crisp, which can feel especially impactful in short phrases and headlines where the chunky detailing reads clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸