Slab Contrasted Ihdo 2 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'FS Silas Slab' by Fontsmith; 'Gaspo Slab', 'Multiple', and 'Sánchez Niu' by Latinotype; 'Egyptian Slate', 'Jornada Slab', and 'Prelo Slab Pro' by Monotype; and 'Tabac Slab' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial leads, confident, sporty, editorial, vintage, impact, emphasis, brand voice, display readability, bracketed, upright stress, robust, crisp, punchy.
This typeface presents a heavy, slanted serif structure with sturdy, slab-like terminals and clearly bracketed joins. Strokes are dense and fairly even, with modest modulation and broad, open counters that keep the forms readable at display sizes. The design leans on strong horizontals and squared-off finishing shapes, giving letters a compact, blocky footprint despite the italic angle. Lowercase forms are sturdy and rounded, with a single-storey a and g, and the numerals match the same weight and wide-set proportions for a consistent texture.
It performs best in headlines, subheads, and other prominent settings where its weight, slant, and slab-like serifs can drive emphasis. It can also work for short editorial lead-ins, cover lines, and packaging or identity applications that benefit from a bold, vintage-leaning typographic voice.
The overall tone is assertive and energetic, combining a classic, print-like serif voice with a forward-leaning, action-oriented stance. It feels both traditional and punchy—suited to attention-grabbing statements while retaining an editorial seriousness.
The design appears intended to deliver high-impact italics with a robust serif framework—pairing strong, slab-influenced finishing with a readable, open construction for display communication. It aims to balance classic serif authority with a more dynamic, promotional feel.
In text, the slant and pronounced serifing create a lively rhythm with clear word shapes and strong emphasis. The punctuation and figures carry the same muscular presence as the letters, supporting consistent color in headlines and short passages.