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Sans Superellipse Moris 7 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Neumatic Gothic Round' by Arkitype, 'Gravitica Compressed' by Ckhans Fonts, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Cargi' by Studio Principle Type, and 'Polate Soft' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, retro, sporty, energetic, assertive, industrial, impact, space saving, motion, display, branding, condensed, oblique, rounded, blocky, tight.


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A compact, condensed sans with a pronounced rightward slant and heavy, uniform stroke weight. Forms are built from rounded-rectangle geometry, producing soft corners and squared counters that keep curves feeling controlled rather than circular. The rhythm is tight and vertical, with sturdy stems, short crossbars, and compact apertures that maintain a dense silhouette. Numerals and capitals share the same robust, streamlined construction, reading cleanly as bold blocks with minimal internal detailing.

Best suited to short, high-impact settings such as headlines, posters, sports branding, and bold packaging callouts. It also works well for condensed signage or labels where a strong vertical presence is needed in limited horizontal space. For longer passages, it performs most convincingly at larger sizes where the tight apertures and dense texture can breathe.

The overall tone is energetic and sporty, with a strong forward-lean that suggests motion and urgency. Its rounded, blocky shapes add a retro-industrial friendliness while staying tough and utilitarian. The font feels built for impact—confident, loud, and attention-grabbing rather than subtle or literary.

Designed to deliver maximum punch in a narrow footprint, pairing a forward-leaning stance with rounded-rectangular construction for a distinctive, cohesive texture. The intent appears to balance speed and toughness with softened corners, creating a bold display voice that remains controlled and systematic.

The oblique angle is consistent across uppercase, lowercase, and figures, creating a unified, fast-moving texture in text. The rounded corners and squared counters give the face a distinctive “compressed signage” character, especially in repeated verticals where the dense spacing becomes a deliberate visual feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸