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Sans Superellipse Udmik 6 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic P', and 'Dharma Gothic Rounded' by Dharma Type; 'Compacta SH' by Scangraphic Digital Type Collection; 'Maleo' by Tokotype; and 'Polate' and 'Polate Soft' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, sports branding, posters, packaging, signage, sporty, assertive, energetic, modern, punchy, impact, speed, space-saving, display strength, brand punch, condensed, oblique, blocky, rounded corners, high-impact.


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A condensed, heavy sans with a pronounced oblique slant and compact, vertically stretched proportions. Strokes are thick and largely uniform, with corners softened into rounded-rectangle terminals that keep curves and joints smooth rather than sharp. Counters are tight and openings are relatively narrow, giving letters a dense, packed texture; the overall rhythm is upright in structure but strongly forward-leaning in stance. Figures are similarly compact and sturdy, with simplified, blocky forms that stay consistent with the rounded, industrial geometry.

Best suited to short, high-impact settings such as headlines, sports identities, promotional posters, and bold callouts on packaging. It can also work for attention-grabbing signage or UI banners where a condensed footprint and strong emphasis are needed, but it is less ideal for long-form reading due to its dense counters and heavy color.

The design reads fast, loud, and athletic, with a forward-leaning momentum that suggests speed and urgency. Its dense mass and tight spacing feel confident and no-nonsense, leaning toward contemporary sports and action-oriented branding rather than quiet editorial tone.

Likely drawn to deliver maximum impact in a narrow measure while conveying motion and strength. The rounded-rectangle construction appears intended to keep the tone contemporary and friendly enough for branding, without sacrificing the aggressive, headline-driven presence.

Rounded corners and superelliptical shaping reduce harshness while preserving a strong, stencil-like solidity in silhouette. The oblique angle is consistent across cases and numerals, helping headlines feel cohesive and directional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸