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Free for Commercial Use

Sans Superellipse Femub 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Korolev' by Device, 'Gotham' by Hoefler & Co., 'Hanford JNL' and 'Recording Artist JNL' by Jeff Levine, 'Fact' by ParaType, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports, branding, packaging, sporty, urgent, punchy, modern, energetic, space saving, high impact, motion, display emphasis, condensed, oblique, rounded, compact, brash.


Free for commercial use
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This typeface is a tightly condensed, heavy oblique sans with rounded, superellipse-like curves and a compact footprint. Strokes are broadly uniform with minimal modulation, and joins are smooth, producing dense counters and an assertive overall color. The slant is consistent across caps, lowercase, and figures, and the geometry favors rounded rectangles over perfect circles, giving bowls and terminals a streamlined, engineered feel. Lowercase forms read cleanly at display sizes with a straightforward, no-nonsense construction and short extenders that keep lines visually packed.

This font is best suited to short, high-impact copy such as headlines, poster typography, sports and event graphics, and bold brand marks where space is limited. It can also work for packaging callouts and promotional banners that benefit from condensed width and strong emphasis.

The overall tone is fast, loud, and contemporary, with a sporty, high-impact attitude. Its compressed rhythm and strong diagonal emphasis suggest motion and urgency, making it feel competitive and attention-seeking rather than quiet or bookish.

The design appears intended to maximize impact and economy of space while maintaining a smooth, rounded geometric character. Its consistent oblique angle and compact forms aim to communicate speed and modernity in display-driven settings.

In running text the narrow set and heavy weight create a dark, continuous texture, so spacing and line length will strongly influence readability. The numerals share the same forward drive and compact proportions, matching the headline-focused personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸