Sans Superellipse Yeli 5 is a very bold, very wide, medium contrast, italic, tall x-height font.
Keywords: headlines, posters, sports branding, packaging, logotypes, sporty, energetic, retro, playful, impactful, impact, speed, branding, display, geometric, rounded, squarish, oblique, compact joins, ink-trap hints.
A heavy, oblique sans with wide proportions and a rounded-rectangle (superellipse) construction throughout. Strokes are thick and steady, with softened corners and squared-off curves that give counters a pill-like geometry. Terminals are mostly blunt and horizontal, and several joins show small notches and cut-ins that read like subtle ink-trap detailing. The lowercase is large relative to capitals, and the overall rhythm is tight and solid, prioritizing blocky silhouettes over delicate interior space, especially in letters like e, a, s, and g. Numerals follow the same rounded, squarish logic, with strong top/bottom platforms and compact apertures.
Best suited to large-scale applications where weight and slant can do the work: headlines, posters, sports and event branding, bold packaging statements, and compact logotypes. It can also function as a punchy secondary typeface for short UI labels or badges when set with generous spacing and sufficient size.
The tone is loud, fast, and confident, with a distinctly sporty, retro-leaning slant. Its chunky superelliptical shapes feel friendly and playful while still projecting strength and urgency, making it read as headline-first and attention-grabbing.
The design appears intended to deliver maximum presence with a streamlined, geometric feel—combining superelliptical rounding with an aggressive oblique stance for speed and impact. The small notches at joins suggest a practical aim to preserve shape definition in dense, heavy letterforms.
The oblique angle is consistent across cases and figures, creating a forward motion that pairs well with the wide stance. Because many counters and apertures are relatively tight at display sizes, clarity is driven more by bold outer contours than by open internal detail.