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Sans Superellipse Ipji 10 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'ATC Duel' by Avondale Type Co., '1312 Sugoi' by Ezequiel Filoni, 'Muller Next' by Fontfabric, 'Loft' by Monotype, 'Kreak Display' by Tebaltipis Studio, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, event graphics, sporty, punchy, loud, confident, retro, impact, motion, display emphasis, brand voice, headline clarity, slanted, oblique, chunky, rounded, soft corners.


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A heavy, slanted sans with broad proportions and compact internal counters. The letterforms are built from rounded-rectangle geometry: flat-ish sides, generous corner rounding, and smooth, bulging curves in bowls and rounds. Strokes feel consistently thick with subtle modulation created by the oblique construction and tapered joins, and the overall silhouette reads as dense and blocky rather than airy. Spacing appears tight in text, with strong, continuous black mass and sturdy numerals that match the weight and width of the caps.

Best suited to large-scale typography where its width, weight, and slant can deliver immediate attention—such as posters, sports and esports identities, product packaging, and promotional graphics. It can work for short subheads or pull quotes, but its dense color and tight spacing make it less ideal for long-form reading at small sizes.

The tone is bold and energetic, with a fast, forward-leaning stance that suggests motion and impact. Its rounded, cushioned shapes keep the aggression in check, giving it a friendly, sporty swagger that feels at home in headline-driven design.

The design appears intended to maximize impact and momentum through a strong oblique stance, broad set, and rounded-rectangle construction. It prioritizes a cohesive, high-ink silhouette for branding and display situations where readability and attitude need to land instantly.

Round letters (like O, Q, and 0) lean toward squarish ovals with softened corners, reinforcing a superelliptic feel. Diagonal cuts and angled terminals contribute to a dynamic rhythm, while the overall texture stays uniform and emphatic at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸