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Sans Superellipse Iphe 11 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'ATC Duel' by Avondale Type Co., 'Muller Next' by Fontfabric, 'PODIUM Sharp' by Machalski, and 'House Sans' and 'House Soft' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, display signage, sporty, assertive, energetic, industrial, retro, impact, speed, headline focus, brand presence, retro sport, rounded, blocky, slanted, compact apertures, soft corners.


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A heavy, forward-slanted sans with broad proportions and rounded-rectangle construction. Strokes are thick and consistently weighted, with smooth curves and softened corners that keep the silhouettes blunt rather than sharp. Counters are small and often squared-off, apertures tend to be tight, and joins are sturdy, producing dense, compact interior spaces. The overall rhythm is punchy and compact, with short-looking ascenders/descenders and a strong horizontal emphasis despite the slant.

Best suited to large-scale display use where the weight and slant can deliver instant emphasis—headlines, promotional posters, sports or motorsport-style branding, and punchy packaging. It can work for short subheads or callouts, but extended paragraphs will tend to feel heavy and tightly packed unless given generous size and leading.

The font reads as fast and forceful, with a sporty, performance-driven tone. Its inflated, rounded geometry adds a friendly retro edge while the tight counters and steep angle keep it aggressive and attention-seeking. Overall it suggests motion, impact, and a “built for headlines” confidence.

The design appears intended to provide a high-impact, motion-forward display voice built from rounded, superelliptical shapes. It prioritizes bold silhouettes and cohesive texture over open counters, aiming for strong shelf and billboard presence and a distinctive, athletic flavor.

Uppercase and lowercase share a similarly robust, blocky DNA, so case mixing stays cohesive and bold. Numerals follow the same rounded, condensed-counter logic, giving sets like 2/3/5/8/9 a compact, poster-ready feel. Because the forms are dense, spacing and line breaks become important to avoid dark, continuous texture in longer settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸