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Sans Superellipse Edlib 8 is a regular weight, normal width, low contrast, italic, normal x-height font.

Keywords: sports branding, technology branding, headlines, posters, ui titling, futuristic, techy, dynamic, sporty, sleek, futurism, speed, tech aesthetic, branding impact, cohesive numerals, superelliptical, rounded-square, oblique, monoline, squared curves.


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A streamlined oblique sans built from superelliptical, rounded-rectangle forms. Strokes are monoline with gently softened corners, creating a squared-yet-rounded geometry across bowls and counters. Terminals tend to be blunt and slightly rounded rather than sharply cut, and curves often resolve into straight segments for a taut, engineered rhythm. Proportions are moderately wide in rounds (O, 0) with compact, efficient joins in diagonals (V, W, X), producing a consistent forward-leaning texture in text.

This font performs best in short to medium-length settings where its oblique stance and rounded-square forms can read as intentional style: sports and esports identities, tech and automotive branding, product naming, and punchy headlines. It can also work for UI titles, dashboards, and on-screen labels where a sleek, modern voice is desired, especially at sizes large enough to keep the squared curves clear.

The overall tone feels modern and technical, with a speed-oriented slant that suggests motion and efficiency. Its rounded-square construction gives it a clean, manufactured character—more sporty and futuristic than casual or friendly—while still staying approachable due to softened corners.

The design appears intended to merge a forward-leaning, speed-inflected italic with a superelliptical construction, emphasizing a contemporary, engineered aesthetic. Its consistent monoline strokes and rounded-square counters suggest a focus on clarity and cohesion across letters and numerals while projecting a futuristic, performance-oriented personality.

Capitals show a stylized, angular construction (notably in A, R, and G) that reinforces the engineered look, while lowercase maintains the same superelliptical logic with compact counters and a clean, minimal treatment. Numerals are similarly squared and open, lending a cohesive, display-forward set suited to interfaces and branding.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸