Sans Superellipse Okmop 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Karepe FX' by Differentialtype, 'Conthey' and 'Conthey Inline' by ROHH, 'Core Mellow' by S-Core, and 'Aptly' by Shinntype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, industrial, playful, bold, friendly, compact impact, softened boldness, retro display, brand distinctiveness, rounded, condensed, stencil-like, monoline, soft-cornered.
A compact, heavy sans built from rounded-rectangle forms with softly squared corners and largely uniform stroke weight. Curves resolve into superelliptical bowls and arches, while terminals are blunt and consistently rounded, creating a cohesive, engineered feel. Proportions are condensed with tight interior counters; many glyphs show narrow apertures and vertical emphasis, giving the face a tall, stacked rhythm. The figures and lowercase echo the same rounded geometry, with simple, robust shapes and minimal detailing.
Best suited for short, high-impact settings such as headlines, posters, branding marks, packaging, and bold signage where its condensed heft and rounded geometry remain clear. It can work for brief UI labels or navigation elements when set large enough to preserve its tight counters and apertures.
The overall tone reads as retro-industrial and approachable—bold enough to feel confident and utilitarian, but softened by rounded corners that keep it friendly rather than severe. Its compact, poster-like presence suggests mid-century display lettering and contemporary “soft tech” branding at the same time.
The design appears intended to deliver maximum impact in a compact width while maintaining a soft, rounded personality. Its superelliptical construction and uniform strokes prioritize consistency and a strong silhouette, aiming for a modern-retro display voice that stays legible and distinctive in branding contexts.
Several capitals adopt simplified, almost modular constructions (notably in the angular joins and closed counters), and the narrow spacing within forms can make counters feel small at text sizes. The lowercase maintains a straightforward, sturdy voice with minimal stroke modulation and a consistent, rounded-square motif across bowls, shoulders, and dots.