Sans Superellipse Ogkun 3 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Korolev' by Device, 'Hardley Brush' by Negara Studio, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, retro, utilitarian, friendly, compact, space-saving, high impact, clarity, modernized retro, rounded, condensed, sturdy, soft-cornered, geometric.
A compact, rounded sans with a condensed stance and sturdy, even stroke weight. The design leans on squared-off curves and superellipse-like bowls, producing rectangular counters and softly clipped corners rather than fully circular forms. Terminals are blunt and consistently rounded, with minimal contrast and a tidy, controlled rhythm across letters and numerals. Spacing is relatively tight and the overall texture is dense, giving lines a solid, poster-like color without looking harsh.
Works best for headlines, short blocks of display text, and bold UI or signage labels where compact width and strong shapes help maximize impact. It also suits packaging and branding systems that want a sturdy, geometric tone with softer edges. For longer reading, it performs better at larger sizes where counters and rounded details can breathe.
The combination of heavy presence and softened corners reads confident and practical, with a subtle retro-industrial flavor. It feels approachable rather than aggressive, balancing mechanical geometry with friendly rounding. The condensed proportions add urgency and efficiency, suited to messaging that needs to land quickly and clearly.
Likely designed to deliver high-impact legibility in narrow spaces while keeping a welcoming, contemporary feel through rounded corners and superellipse-based forms. The goal appears to be a practical display sans that prints and screens with a consistent, uniform texture and a distinctive squared-round personality.
Round letters such as O/Q and the digit 0 show a squarish silhouette with generous inner space, while straight-sided letters keep edges clean and corners eased. The lowercase maintains clear, simplified construction, and the numerals are blocky and prominent, aligning well with the font’s compact vertical proportions.