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Stencil Ukga 1 is a bold, normal width, low contrast, italic, normal x-height font.

Keywords: headlines, posters, logotypes, sports branding, packaging, industrial, tactical, sporty, futuristic, urgent, impact, speed, utility, marking, ruggedness, slanted, segmented, hard-edged, compact, high-impact.


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A heavy, right-slanted stencil sans with crisp, angular terminals and consistent cutouts that create clear bridges across bowls and joins. Letterforms are compact and energetic, with squared curves and diagonal stress that pushes the rhythm forward. The stencil breaks are systematic—often appearing as clean gaps through counters and along key strokes—keeping the silhouette legible while adding a segmented, engineered texture. Figures and capitals read especially strong, with simplified geometry and assertive proportions suited to large sizes.

Best suited for high-impact headlines, posters, and short promotional copy where the stencil segmentation can be appreciated. It works well for sports and motorsport branding, tactical or industrial-themed designs, event graphics, and packaging that benefits from a rugged, engineered voice. For maximum clarity, use it at medium-to-large sizes with ample tracking and strong contrast against the background.

The overall tone feels industrial and tactical, like markings on equipment or performance gear. Its italic slant and bold presence lend speed and urgency, while the stencil logic adds a utilitarian, fabricated character. The result suggests motion, machinery, and no-nonsense signage rather than refined editorial typography.

The design appears intended to merge a fast, italic display sans with a functional stencil construction, delivering an industrial/technical look that remains bold and readable. Its consistent bridges and simplified shapes suggest a focus on repeatable, marked-on hardware aesthetics while keeping strong headline performance.

The cutouts create distinctive internal highlights that can visually “sparkle” at display sizes, but may become busy at very small sizes or in dense paragraphs. Curved letters (such as C, G, O, Q) maintain a sturdy, squared-off feel, reinforcing the engineered aesthetic across the set. The sample text shows a lively texture with frequent bridges, making it best treated as a statement style rather than a quiet workhorse.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸