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Free for Commercial Use

Sans Superellipse Ugdad 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Memesique' by Egor Stremousov, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, assertive, sporty, blocky, retro, space saving, high impact, logo display, sturdy legibility, modernized retro, condensed, rounded corners, compact, punchy.


Free for commercial use
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A compact, heavy sans with rounded-rectangle (superellipse) construction and blunt terminals. Strokes stay broadly uniform, with squared shoulders softened by consistent corner rounding, giving counters a squarish, engineered feel. The forms are tightly fit and vertically emphatic, with sturdy caps, a tall, sturdy lowercase, and small apertures that hold up as solid silhouettes at display sizes. Figures match the same blocky rhythm, with rounded internal counters and minimal detailing.

Best suited for high-impact headlines, posters, storefront or wayfinding signage, and bold packaging where quick recognition matters. It also fits sports and fitness branding, album or event titles, and social graphics that need a dense, compact wordmark-like presence.

The font reads loud and forceful, with a utilitarian, workmanlike confidence. Its rounded corners temper the aggression of the weight, creating a sporty, poster-ready tone that can feel both contemporary and slightly retro depending on color and layout.

Likely designed to deliver maximum visual impact in limited horizontal space while maintaining a friendly, rounded-rect geometry. The consistent weight and simplified details prioritize silhouette strength, making it effective for punchy display typography and logo-style settings.

The overall spacing appears tight, and the darkest joins (e.g., in multi-stem letters) create a dense texture that favors short headlines over extended reading. Round letters (like O/Q/0/8/9) lean toward squared geometry, reinforcing a mechanical, modular personality.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸