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Sans Superellipse Odny 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Nusara' by Locomotype, 'Roihu' by Melvastype, 'Core Gothic M' and 'Core Sans M' by S-Core, and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social ads, friendly, playful, chunky, approachable, modern, approachability, impact, simplicity, cohesion, modernity, rounded, soft corners, compact, sturdy, blunt terminals.


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A heavy, rounded sans with superellipse-like bowls and consistently softened corners throughout. Strokes are monolinear and thick, with blunt terminals and broadly squared curves that read as rounded rectangles rather than perfect circles. Proportions are compact and verticals feel stable; counters are relatively open for the weight, supporting clarity in short words and headlines. Lowercase forms show a tall x-height impression, while key shapes like the single-storey a and g, and the short-armed r, reinforce a simplified, contemporary construction.

Best suited to display settings such as headlines, posters, logos, packaging, and bold UI or social media graphics where a friendly, high-impact voice is needed. It performs especially well at medium to large sizes, where its rounded corners and open counters can be appreciated without the weight closing in.

The overall tone is warm and inviting, with a toy-like softness that still feels solid and confident. Its chunky silhouettes and rounded geometry suggest friendliness and approachability, making it feel casual and upbeat rather than formal or technical.

The design appears intended to deliver a modern, approachable display sans built from softened, superellipse-inspired geometry. The simplified letterforms and consistent rounding aim for a cohesive, highly legible silhouette that communicates warmth and boldness in branding and promotional typography.

Round characters (O, C, G, Q) lean toward squarish rounding, and the numerals echo the same softened-rectangle logic, creating strong stylistic cohesion. The punctuation and spacing in the sample text appear geared toward display use, where the weight and tight inner shapes produce a bold, impactful texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸