Sans Superellipse Ferof 2 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Final Edition JNL' and 'Music Ad Stencil JNL' by Jeff Levine, 'Hype vol 2' by Positype, 'Monopol' by Suitcase Type Foundry, 'Beachwood' by Swell Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, athletic, urgent, industrial, action, retro, space saving, high impact, motion, headline punch, brand presence, condensed, oblique, blocky, rounded corners, soft terminals.
A condensed, heavy sans with a consistent rightward slant and compact proportions. Strokes are thick and uniform, with squared, superellipse-like counters and corners that read as rounded rectangles rather than true circles. Curves are tightened and verticals dominate, producing a tall, stacked rhythm; apertures are relatively small, especially in C, S, and e, while bowls in B, P, and R stay compact and upright. The lowercase shows a single-storey a and g, a short-armed r, and a dot on i/j that stays crisp and circular against the otherwise blocky texture. Numerals are similarly condensed and weighty, designed to sit firmly on the baseline and maintain the same dense color as the letters.
Best suited to large-scale display settings where density and impact are desirable: headlines, posters, sports or motorsport branding, bold packaging, and attention-grabbing signage. It can work for short bursts of copy (taglines, calls to action) but is less ideal for long passages or small UI text due to tight counters and the compressed rhythm.
The overall tone is fast, forceful, and sporty, with a poster-like punch that suggests motion and intensity. Its condensed slant and dense black texture evoke racing, action headlines, and utilitarian signage, leaning slightly retro in the way it compresses forms into sturdy, rounded-rectangular silhouettes.
The design appears intended to deliver maximum impact in minimal horizontal space, combining a consistent oblique stance with sturdy, rounded-rectangular construction for a modern, high-energy display voice. Its compact shapes and uniform stroke weight prioritize strong silhouette recognition and a continuous, emphatic typographic color.
Spacing appears intentionally tight to build a strong, continuous texture in lines of text, and the slant is uniform across caps, lowercase, and figures. The design favors silhouette strength over open readability, especially in smaller sizes where the compact counters may close up.