Sans Normal Ohgas 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Candor' by Brink, 'Matt' by Fontfabric, 'Equip' by Hoftype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Carmen Sans' by StudioJASO, and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui, friendly, contemporary, confident, approachable, clean, impact, approachability, clarity, modernity, rounded, geometric, smooth, sturdy, open counters.
A rounded, geometric sans with substantial stroke mass and smooth, continuous curves. Letterforms lean on near-circular bowls and open apertures, with simplified joins and minimal stroke modulation for an even, consistent color. Terminals are clean and largely straight-cut, while internal counters stay generously open, helping maintain clarity at display sizes. The overall rhythm is steady and compact, balancing broad curves with straightforward verticals and diagonals for a solid, modern silhouette.
It performs best in headlines, brand marks, packaging, and promotional graphics where a bold, friendly voice is desired. The clear, rounded forms also make it a strong option for UI labels and short interface copy, especially when a contemporary, approachable tone is needed.
The font projects a friendly, contemporary tone that feels confident without becoming aggressive. Its rounded geometry and even texture give it an approachable, product-oriented voice suited to modern branding and interface environments.
The design appears intended to deliver a modern, geometric sans that stays warm and personable through rounded construction and open counters. It emphasizes immediate impact and legibility in larger sizes while maintaining a clean, consistent texture across mixed-case text.
Numerals echo the same rounded construction, with clear differentiation between similar shapes through distinct curves and open counters. The sample text shows a dense, headline-ready presence where the smooth geometry keeps long lines from feeling overly rigid.