Sans Normal Okmol 23 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Krong' by Joelmaker, 'Boston' by Latinotype, 'Endeavor' by Lucas Tillian, 'Gordita' by Type Atelier, and 'Moucha' by Vibrant Types (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, modern, confident, friendly, clean, sturdy, clarity, impact, modern utility, brand presence, legibility, geometric, rounded, monoline, open apertures, large counters.
A heavy, geometric sans with monoline construction and smoothly rounded curves paired with flat, straight terminals. Letterforms are built from near-circular bowls and wide, open counters, with generous interior space that keeps the texture readable at display sizes. The uppercase set feels compact and blocky with simple, engineered joins, while the lowercase follows a single-storey approach (notably in a and g) and maintains a consistent, sturdy rhythm. Numerals are similarly rounded and substantial, with clear silhouettes and minimal stylistic quirks.
This font performs best in headlines, branding lockups, posters, and other display settings where strong presence and quick recognition matter. Its open counters and simple geometry also make it suitable for UI labels, navigation, and signage where clarity at a glance is important.
The overall tone is modern and direct, with a friendly warmth coming from the rounded geometry and open shapes. Its weight and simplified forms project confidence and clarity rather than delicacy, giving it a straightforward, contemporary voice suitable for bold statements.
The design appears intended as a robust, geometric workhorse for contemporary communication—favoring clean construction, high legibility, and a friendly but authoritative presence. It prioritizes straightforward, widely familiar shapes that reproduce clearly in large text and simple graphic applications.
Curves are clean and even, and the spacing reads balanced in continuous text, producing a solid, uniform color. The design leans on recognizable, no-nonsense shapes—especially in the bowls and terminals—creating a dependable, highly legible impression in headlines and short passages.