Print Hudal 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Hanley Pro' by District 62 Studio, 'Panton' by Fontfabric, 'Ordina' by Schriftlabor, and 'Planer' by The Northern Block (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, games, playful, rugged, handmade, quirky, bold, handmade feel, bold impact, playful display, poster punch, rugged texture, angular, chiseled, blocky, irregular, faceted.
A chunky, faceted display face built from broad strokes with clipped corners and slightly irregular geometry. Letters lean on angular cuts, flattened curves, and occasional wedge-like terminals that give the outlines a carved, polygonal feel. Proportions vary noticeably from glyph to glyph, creating an uneven rhythm and a hand-drawn bounce, while counters stay relatively open for the weight. The overall texture is dense and punchy, with minimal internal contrast and a steady, upright stance.
Best suited to short, high-impact settings such as posters, event titles, packaging callouts, sticker designs, and bold social graphics where texture and personality are desirable. It also fits playful entertainment contexts like game UI headings, comic-style titling, and craft-market signage. For long text, its strong weight and irregular rhythm work more as an accent than a body copy choice.
The font projects a loud, mischievous energy—part poster shout, part doodled sign. Its jagged edges and inconsistent shapes read as intentionally rough and human, suggesting spontaneity rather than precision. The tone is fun and slightly rebellious, with a cartoonish toughness.
The design appears intended to mimic hand-cut or marker-block lettering with deliberately clipped corners and imperfect consistency, prioritizing character and immediacy. It aims to deliver a rugged, graphic presence that reads quickly at display sizes while maintaining a casual, drawn-by-hand voice.
Uppercase forms appear more stylized and emblematic, while lowercase keeps the same cut-corner construction for continuity. Numerals follow the same faceted logic, staying compact and sturdy, with shapes that feel suited to impact over neutrality. Spacing and widths vary enough to create a lively, handmade color across lines of text.