Sans Superellipse Abmed 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'FS Truman' by Fontsmith, 'Litmus' by Indian Type Foundry, 'Klint' by Linotype, 'Nusara' by Locomotype, 'Breno Narrow' by Monotype, 'Heading Now' by Zetafonts, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui text, product design, brand systems, signage, editorial heads, modern, clean, neutral, friendly, techy, clarity, neutrality, approachability, system consistency, readability, geometric, rounded, superelliptic, crisp, high legibility.
A geometric sans with superelliptic construction and smoothly rounded corners that keep forms soft without feeling bubbly. Strokes are even and low in contrast, with broadly open counters and simple, unembellished joins. Curves tend toward rounded-rectangle bowls (notably in C, G, O, e), while straight-sided letters (E, F, H, N) stay crisp and square. The lowercase is straightforward and highly readable, with a single-storey g and clear, compact terminals; numerals follow the same clean, geometric logic with sturdy, open shapes.
Well suited to UI and digital product typography, where clean outlines and open counters support fast scanning. It also performs confidently in brand systems, wayfinding, and signage, and can serve as a contemporary workhorse for headlines and short-to-medium text blocks where a geometric, rounded-rectangle voice is desired.
The overall tone is modern and neutral, projecting clarity and efficiency with a mild, approachable warmth from the rounded geometry. It feels contemporary and product-oriented, suited to interfaces and brand systems that want to appear precise but not harsh.
The design appears intended to deliver a versatile, contemporary sans that balances geometric rigor with softened corners for approachability. Its consistent superelliptic curves and straightforward letterforms suggest an emphasis on clarity, neutrality, and reliable readability across common display and interface contexts.
Round forms maintain consistent curvature and corner treatment, creating a coherent rhythm across capitals, lowercase, and figures. Diagonal letters (V, W, X, Y) are sturdy and balanced, and the punctuation in the sample reads cleanly at display sizes, suggesting a focus on clear silhouette and stable spacing.