Sans Normal Dylah 8 is a regular weight, very wide, low contrast, italic, normal x-height font visually similar to 'Endeavor' by Lucas Tillian (names referenced only for comparison).
Keywords: branding, headlines, posters, product ui, signage, modern, technical, sleek, dynamic, utilitarian, contemporary clarity, sense of motion, clean geometry, display impact, oblique, expanded, rounded, geometric, clean.
This typeface is an oblique, expanded sans with smooth, rounded geometry and even, low-modulation strokes. Counters are open and largely circular or elliptical, while terminals are clean and slightly softened rather than sharply cut. Uppercase forms are wide and stable, with straightforward construction and consistent stroke endings; diagonals (A, K, V, W, X, Y) keep a crisp, engineered feel. The lowercase follows the same rational structure, with single-storey forms where applicable and broad apertures that maintain clarity in continuous text. Numerals are similarly wide and slanted, with simple, legible shapes and minimal detailing.
It works well for branding systems, headlines, posters, and product or interface typography where a contemporary, motion-oriented feel is desired. The broad proportions and open counters help it stay readable at medium sizes, while the distinctive slant makes it effective for short display lines, labels, and signage.
The overall tone feels modern and forward-leaning, suggesting speed and efficiency without becoming aggressive. Its wide stance and oblique angle give it a sporty, contemporary voice suited to technical or product-oriented communication. The rounded curves soften the effect, keeping it approachable rather than stark.
The design appears intended to deliver a clean, geometric sans voice with an inherent sense of movement, combining wide proportions with a consistent oblique construction. It aims to balance technical clarity with a softened, friendly curvature for versatile modern use.
Spacing in the samples reads comfortably open, and the generous widths create a strong horizontal rhythm. The oblique angle is consistent across letters and figures, contributing to a cohesive, motion-driven texture in paragraphs and headlines alike.