Sans Faceted Mypa 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Francker' and 'Francker Paneuropean' by Linotype, 'PODIUM Sharp' by Machalski, 'Kairos Sans' by Monotype, and 'Biortec' by insigne (names referenced only for comparison).
Keywords: headlines, posters, logotypes, sports branding, app headers, industrial, techno, athletic, retro, impact, geometric rigor, machined feel, brand distinctiveness, chamfered, octagonal, geometric, blocky, compact.
A heavy, geometric sans with straight-sided construction and pronounced chamfered corners that substitute for curves. Bowls and counters are largely rectangular or octagonal, with consistent facet angles repeated across the set for a unified rhythm. Strokes are uniform and monolinear, terminals are blunt, and interior apertures are tight, giving the glyphs a dense, high-impact silhouette. The lowercase follows the same angular logic, with single-storey forms and squared-off joins that keep the texture firmly mechanical.
Best suited to display settings where bold, angular shapes are an advantage: headlines, posters, packaging callouts, and logo or wordmark work. It also fits sports identities, gaming or tech-themed UI headings, and signage-style labeling where a rugged, machined look is desired.
The faceted geometry and compact counters create a tough, engineered tone that reads as sporty, industrial, and tech-forward. Its crisp angles and blocky presence evoke scoreboard lettering, arcade and sci-fi interfaces, and utilitarian labeling.
The design appears intended to translate a hard-edged, faceted construction into a clean sans framework, prioritizing impact and repeatable geometry over smooth curves. The consistent chamfers and closed, sturdy forms suggest a focus on durability, clarity at display sizes, and a distinctive industrial voice.
Numerals are similarly angular and sturdy, with simple, easily distinguishable forms and consistent corner cuts. The sample text shows strong word shapes at larger sizes, while the tight apertures and dense color suggest using generous tracking and ample leading when setting longer lines.