Sans Superellipse Olmik 7 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'North Block' by BoxTube Labs, 'Mr Alex' by Hipopotam Studio, 'Licencia' by K-Type, 'Refinery' by Kimmy Design, 'Goodland' by Swell Type, and 'Blop77' by osialus (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, techno, condensed, assertive, mechanical, space saving, strong impact, systematic look, modern utility, retro tech, rounded corners, squared bowls, closed apertures, high contrast spacing, tall proportions.
A tall, tightly condensed sans with heavy, even stroke weight and a distinctly squared—yet softened—construction. Curves resolve into rounded-rectangle bowls and corners, giving letters like O, D, and P a superelliptical feel, while terminals remain blunt and clean. Counters are compact and apertures tend toward closed, producing a dense, blocky texture that stays consistent across caps, lowercase, and figures. The overall rhythm is vertical and uniform, with narrow set widths and minimal stroke modulation emphasizing a sturdy, engineered silhouette.
Well-suited for punchy headlines, poster typography, and wordmarks where a narrow, high-impact presence is needed. It also fits packaging, signage, and interface-style labeling that benefits from compact width and sturdy, rectangular letterforms. Best used at display sizes or short-to-medium text runs where its tight counters and condensed texture can remain clear.
The font projects a utilitarian, machine-made tone—confident and no-nonsense, with a subtle retro-tech flavor. Its condensed, squared forms feel industrial and efficient, suggesting control panels, labeling systems, and bold headlines rather than casual or literary reading.
The design appears intended to deliver maximum impact in minimal horizontal space, combining a modern sans framework with rounded-rectangle geometry for a distinctive, industrial voice. Its consistent stroke weight and blunt terminals prioritize clarity, uniformity, and a strong graphic silhouette.
Uppercase and lowercase share a strongly unified geometry, with many lowercase forms appearing structurally close to their cap counterparts, reinforcing a compact, modular look. Numerals follow the same tall, squared-off logic, reading clearly at display sizes and maintaining the family’s dense, vertical color.