Sans Superellipse Agrer 10 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Darknight' by Din Studio, 'Grayson' by Gleb Guralnyk, 'Ando' and 'Ando Round' by JCFonts, and 'Aureola' by OneSevenPointFive (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, branding, industrial, retro, condensed, assertive, utilitarian, space saving, strong display, signage clarity, systematic forms, brand impact, rounded corners, capsule terminals, rectangular counters, high contrast (shape), compact spacing.
A tightly condensed sans with heavy, even stroke weight and rounded-rectangle construction throughout. Curves are squarish and superelliptical, producing rectangular counters in letters like O, D, and P and smooth, rounded corners at joins and terminals. Vertical stems dominate, horizontals are short and sturdy, and the overall rhythm is compact and uniform, with simplified forms and minimal modulation. Numerals and lowercase echo the same narrow proportions and rounded-rect geometry, keeping a consistent, engineered feel across the set.
Best suited to large-scale applications where a compact footprint and strong presence are beneficial—posters, headlines, signage, packaging, and bold brand marks. It can work for short subheads or UI labels when space is tight, but the dense, condensed shapes are most effective when given enough size to breathe.
The tone is bold and functional, evoking industrial labeling and mid-century display typography. Its compact, upright stance feels confident and pragmatic, with a slightly retro, signage-like voice that reads as direct and no-nonsense.
The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a consistent, rounded-rect silhouette. Its simplified, monoline construction prioritizes uniformity and legibility for display contexts that call for a sturdy, industrial voice.
Counters tend to be tall and slot-like, which enhances the compressed look while maintaining clear internal space at display sizes. The rounded-corner treatment softens the weight, preventing the dense shapes from feeling overly harsh, and helps unify straight and curved characters into a cohesive system.