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Free for Commercial Use

Slab Contrasted Tyju 11 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Pulpo' by Floodfonts, 'MC Eafist' by Maulana Creative, and 'Bogue' and 'Bogue Slab' by Melvastype (names referenced only for comparison).

Keywords: posters, headlines, branding, editorial, signage, confident, vintage, sturdy, collegiate, headline, impact, tradition, authority, readability, nostalgia, bracketed, blocky, compact, weighty, punchy.


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This typeface is a heavy, bracketed slab serif with broad proportions and a strong, even color on the page. Stems are thick and squared-off, with prominent slab terminals that read as slightly cupped and softly bracketed rather than razor-sharp. Curves are full and rounded (notably in O, Q, and the lowercase bowls), while joins and corners keep a sturdy, poster-like firmness. The lowercase shows a single-storey a and g, a chunky, ball-like i/j dot, and generally generous counters that help the dense weight stay readable. Numerals are robust and wide, matching the letterforms’ blocky rhythm and giving the set a consistent, display-forward texture.

Best suited to headlines and short-to-medium display copy where a strong presence is needed—posters, packaging, signage, and bold editorial openers. It can also work for branding that wants a traditional, hardworking voice, especially when paired with a simpler sans for supporting text.

The overall tone is bold and traditional, with an American editorial/collegiate flavor that feels assertive and dependable. Its thick slabs and rounded, friendly curves balance toughness with approachability, creating a classic “print” character that can feel both nostalgic and straightforward.

The letterforms appear designed to deliver maximum impact with a classic slab-serif voice: wide, sturdy shapes, emphatic slabs, and simplified detailing that stays legible under heavy weight. The aim seems to be a versatile display serif that reads confidently in titles while maintaining a familiar, heritage-inflected tone.

The design favors large shapes and simplified details, producing a strong rhythm in uppercase lines and a slightly softer, more playful feel in lowercase due to the rounded dots and single-storey forms. The heavy slabs contribute to clear word silhouettes at larger sizes, while the dense stroke weight makes it most effective when given adequate spacing and size.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸