Sans Other Jabuv 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, retro, art deco, futuristic, playful, modular, distinctive display, deco revival, tech aesthetic, modular system, signage feel, rounded, geometric, stencil-like, soft corners, alternating joints.
A geometric, monoline sans built from straight vertical stems and broad rounded bowls, with corners consistently softened into quarter-round turns. Many letters show deliberate gaps or stepped joins that create a stencil-like, modular construction—most noticeable where strokes meet at terminals, shoulders, and crossbars. Proportions are compact with sturdy vertical emphasis, and the rhythm alternates between open counters and closed, pill-shaped forms (notably in O, D, and U). Numerals follow the same system, with simplified shapes, rounded turns, and occasional breaks that echo the uppercase design.
Best suited for headlines, logos, and short-brand phrases where its modular breaks and rounded geometry can be appreciated. It also fits posters, packaging, and signage with a retro-modern or tech-themed direction, and can work for UI titles or labels when set large enough to preserve the stencil-like details.
The overall tone feels retro-futurist with a clear Art Deco influence—clean, engineered, and slightly theatrical. The intentional breaks and rounded geometry add a playful, display-oriented character that reads as both vintage signage and sci‑fi interface styling.
The font appears designed to deliver a distinctive Deco/space-age flavor while staying within a clean sans framework. Its consistent monoline stroke and repeated break motifs suggest an intention to feel engineered and modular, offering strong visual identity for display typography rather than neutral body text.
The design relies on distinctive construction details (gaps, notches, and separated strokes) for personality, so it benefits from sizes where those features remain clearly visible. Curves are smooth and uniform, while horizontal elements tend to be short or interrupted, reinforcing a vertical, architectural feel.