Sans Normal Onbog 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aircrew', 'Lisboa Hebrew', 'Lisboa Sans', 'Lisboa Sans Hebrew', 'Lisboa Sans Tamil', 'Lisboa Tamil', and 'Lishbona Naskh' by Vanarchiv (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, confident, clean, neutral, clarity, impact, versatility, contemporary branding, functional display, geometric, rounded, sturdy, high legibility, compact.
A sturdy sans with broadly geometric construction and softly rounded curves. Strokes are even and heavy, with large counters that keep forms open despite the weight. Uppercase shapes read compact and stable, while the lowercase shows simple, single‑storey forms and a clean, utilitarian rhythm. Terminals are mostly straight or gently rounded, and spacing feels practical rather than airy, supporting dense setting at display and short-text sizes.
Well-suited for headlines, logos, packaging, and promotional graphics where a solid, contemporary sans is needed. The open counters and straightforward shapes also work for UI labels, navigation, and signage, especially when clarity at a glance matters. In longer passages it will feel dense and emphatic, making it a better choice for display or short-form text.
The tone is modern and approachable, with a straightforward, no-nonsense presence. Its rounded geometry keeps it from feeling harsh, while the substantial stroke weight adds confidence and impact. Overall it communicates clarity and friendliness without becoming playful or stylized.
The design appears intended as a contemporary, geometric-leaning workhorse that delivers strong presence with uncomplicated letterforms. It aims for high readability and a consistent, confident texture across caps, lowercase, and figures, prioritizing clarity and practicality over decorative detail.
The numerals appear built to match the letterforms in color and footprint, giving tables and headlines a consistent texture. Curves (like C/O/S) are smooth and full, and diagonals (like V/W/X/Y) are strong and clean, contributing to an even, punchy typographic color.