Sans Other Rygoy 14 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, packaging, tech, industrial, futuristic, modular, sharp, display impact, tech aesthetic, modular construction, sci-fi tone, angular, rectilinear, stencil-like, geometric, architectural.
This typeface is built from rectilinear, modular strokes with abrupt terminals and a pronounced alternation between very thick slabs and hairline connectors. Many forms read as assembled from squared frames and bars, with occasional open corners and cut-ins that create a stencil-like, constructed feel. Curves are minimized in favor of straight segments, producing boxy counters and crisp interior angles; diagonals appear as narrow, blade-like strokes that contrast strongly with the heavy horizontals and verticals. Spacing and proportions vary noticeably across letters, reinforcing a variable, engineered rhythm rather than a uniform grotesque texture.
Best suited to display settings where its angular silhouettes and high-contrast construction can read clearly: headlines, posters, logotypes, album/film titles, and tech-leaning branding. It can also work for labels and packaging where an industrial or sci-fi tone is desirable; for longer text, generous sizes and spacing help preserve the thin connecting strokes.
The overall tone is technical and futuristic, with an industrial, grid-driven personality reminiscent of digital signage, sci-fi interfaces, and machine labeling. Its sharp geometry and stark contrast feel assertive and slightly edgy, prioritizing a constructed aesthetic over warmth or neutrality.
The design appears intended to explore a modular, engineered sans approach—using squared frames, heavy bars, and hairline diagonals to create a futuristic display voice with strong, iconic shapes. The variable proportions and cut-in details suggest an emphasis on character and visual impact over strict uniformity or continuous text readability.
Distinctive square-counter shapes in round letters and numbers, plus occasional hairline diagonals and corner breaks, create strong letterform silhouettes but also introduce delicate joins that can visually thin out at smaller sizes. The sample text shows a lively, irregular cadence where some glyphs feel more condensed or expanded, making the texture intentionally mechanical rather than typographic-traditional.