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Sans Normal Rilak 6 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Deja Rip' by Anatoletype, 'Glober' by Fontfabric, 'Interval Sans Pro' by Mostardesign, 'PTL Attention' by Primetype, and 'June' and 'June Pro' by Schriftlabor (names referenced only for comparison).

Keywords: ui labels, body text, editorial, education, packaging, friendly, modern, approachable, clean, playful, legibility, approachability, everyday use, soft modernity, rounded, soft terminals, humanist, open apertures, generous counters.


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A rounded sans with soft, eased stroke endings and gently squared curves that keep the silhouettes smooth without feeling overly geometric. Bowls and counters are generous, with notably open apertures in forms like C, S, and e, supporting clear interior space at text sizes. The uppercase is steady and fairly even in rhythm, while the lowercase introduces a more humanist feel with slightly varied widths and relaxed, readable shapes. Figures are simple and unobtrusive, matching the letters with consistent stroke weight and smooth curves.

Well-suited to interface typography, product copy, and general-purpose body text where a friendly but tidy tone is needed. Its open counters and soft terminals also work well for educational materials, presentations, and consumer packaging that benefits from legibility with a welcoming character.

The overall tone is warm and approachable, combining contemporary cleanliness with a mild, friendly softness. Its rounded finishing and open shapes create an easygoing, informal voice that still reads as organized and professional. The texture feels calm and conversational rather than technical or corporate.

Likely designed as an all-purpose sans that prioritizes comfortable reading and a friendly visual signature. The softened terminals and open apertures suggest an intent to reduce hardness and improve clarity across headings and continuous text.

Curves tend to be continuous and smooth, and corners are softened rather than sharply cut, which reduces visual harshness in longer passages. The design maintains a consistent, even color in text, with enough individuality in key lowercase forms to avoid a sterile, purely geometric feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸