Sans Other Abriv 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Midfield' by Kreuk Type Foundry and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, retro, playful, chunky, techy, industrial, high impact, distinctive display, retro tech, branding, rounded, squared, modular, compact, blunted.
A heavy, rounded-rect sans with blunt terminals and softly squared corners throughout. Strokes stay largely uniform, creating a dense, compact texture with small counters and occasional stencil-like openings in letters such as C, E, F, and S. The design leans modular and geometric, with wide shoulders and squared bowls, plus distinctive carved-in notches and inset apertures that give many glyphs a cut-out, sign-making feel. Numerals and capitals share the same blocky rhythm, producing strong horizontal presence and a poster-forward silhouette.
This font is best suited to display work such as posters, headlines, logos, packaging, and bold signage where its blocky shapes and distinctive notches can read clearly. It can also work for short UI labels or badges when a retro-tech personality is desired, but it is less ideal for long passages at small sizes due to tight counters and compact apertures.
The overall tone is bold and upbeat with a distinctly retro-futurist flavor. Its chunky geometry and cut-in details evoke arcade-era display typography, industrial labeling, and playful sci‑fi branding. The font feels confident and energetic, prioritizing impact and character over quiet neutrality.
The design appears intended to deliver maximum visual punch with a cohesive, modular shape system and a playful industrial edge. Its carved openings and rounded-square construction suggest a deliberate attempt to differentiate a basic sans structure into something more iconic and brandable.
Spacing appears intentionally tight and compact in the sample, emphasizing a solid, headline-like color on the line. Several forms use squared inner corners and narrow openings, so legibility improves at larger sizes where the cut-outs and counters have room to breathe.