Sans Superellipse Ikduj 6 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Tusker Grotesk' by Lewis McGuffie Type and 'Cimo', 'Sharp Grotesk Latin', and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, sports graphics, assertive, industrial, playful, poster-like, retro, attention, bold branding, display impact, geometric cohesion, blocky, chunky, rounded corners, compact counters, high impact.
A heavy, block-constructed sans with rounded-rectangle/superellipse geometry throughout. Strokes are thick and uniform, with softened corners and flattened curves that create a squarish, built-up silhouette. Counters are small and tight, giving letters a dense, inky color and a strong horizontal rhythm; round characters lean toward squarish bowls rather than true circles. Terminals are blunt and straight, and the overall spacing reads compact at display sizes, emphasizing mass and presence over airiness.
Best suited to headlines, posters, and bold brand moments where maximum impact is needed—logos, packaging callouts, event graphics, and sports or entertainment titling. It can work for short subheads or signage when given enough size and spacing, but the dense counters make it less ideal for small-size body text.
The tone is forceful and attention-grabbing, with a confident, no-nonsense voice. Its squarish rounding adds a friendly, toy-like softness to an otherwise tough, industrial blockiness, yielding a retro display feel that can read both playful and authoritative depending on layout and color.
The design appears intended to deliver a compact, high-impact display voice using superelliptical, rounded-block shapes that stay visually cohesive across caps, lowercase, and numerals. It prioritizes bold presence, clear silhouettes, and a distinct geometric personality for attention-led typography.
The figures and caps share the same sturdy construction, producing consistent color and strong legibility at large sizes. Because interior spaces are tight, the face benefits from generous tracking and ample line spacing when set in longer headlines or multi-line display copy.