Print Unnot 2 is a regular weight, narrow, medium contrast, upright, short x-height font.
Keywords: packaging, posters, book covers, children’s, greeting cards, playful, handmade, friendly, quirky, casual, handmade warmth, casual readability, playful display, human texture, rounded, bouncy, inked, slightly irregular, soft terminals.
This typeface has a hand-drawn print look with gently uneven strokes and subtly wavering outlines that mimic marker or brush lettering. Letterforms are generally narrow and compact, with rounded corners, soft terminal finishes, and mild stroke modulation that adds warmth without becoming calligraphic. The caps are simple and open with a slightly whimsical stance, while the lowercase shows more personality through small idiosyncrasies in bowls, hooks, and descenders. Spacing feels lively rather than strictly uniform, giving text a lightly bouncing rhythm while remaining clearly legible in continuous reading.
It works well for branding and packaging that benefits from a personal touch, as well as posters, book covers, and headings that want informal charm. It can also suit children’s materials, menus, and greeting-card style layouts where warmth and character are priorities over strict typographic neutrality.
The overall tone is informal and approachable, with a cheerful, slightly quirky energy that reads as human and handcrafted. It feels suited to lighthearted communication—more friendly note-taking than formal publishing—while still keeping a clean, readable presence.
The design appears intended to capture the feel of quick, confident hand lettering—clean enough for setting sentences, but irregular enough to preserve a natural, drawn-by-hand character. Its proportions and rhythmic spacing emphasize friendliness and approachability, making it ideal for casual display and expressive editorial accents.
Numerals follow the same handmade logic with rounded forms and small asymmetries, helping them blend naturally into text. The sample paragraphs show stable readability at display-to-text sizes, with the irregularities adding texture rather than visual noise.