Sans Other Giva 3 is a very bold, very wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, signage, packaging, industrial, stencil, poster, retro, architectural, impact, stencil effect, geometric display, signage style, texture, geometric, angular, segmented, compact counters, high impact.
A geometric, all-caps-forward sans with heavy, blocky construction and pronounced internal breaks that read like stencil cuts. Letterforms are built from simple rectilinear and circular segments, with frequent vertical slits and occasional diagonal notches that interrupt bowls and joins. Counters are often tightly enclosed, and several glyphs rely on split shapes rather than open apertures, creating a dense, graphic rhythm. The numerals and lowercase follow the same segmented logic, with single-storey forms and simplified, modular proportions that prioritize silhouette over conventional detail.
This design is well suited to display applications such as posters, headlines, event graphics, and bold brand marks where its segmented silhouettes can be appreciated. It can also work effectively for signage or packaging that wants an industrial or stencil-coded flavor, especially in short phrases and high-contrast color settings.
The overall tone is assertive and engineered, blending a utilitarian stencil feel with a playful, retro-geometric punch. The repeated cut-lines introduce a coded, mechanical character—somewhere between factory signage and art-deco poster experimentation—giving the face a bold, attention-grabbing presence.
The font appears designed to deliver maximum graphic impact through modular, geometric shapes and consistent stencil-like interruptions, creating a distinctive texture while keeping a straightforward sans foundation. Its simplified construction suggests an intention to be memorable and decorative rather than purely text-oriented.
The internal cuts vary from straight vertical divisions to occasional diagonal slices, producing a lively, fractured texture across words. Because the breaks are integral to recognition, the font reads best when set with ample size and clear spacing so the segmented forms don’t visually merge.