Sans Superellipse Ragad 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic Rounded', 'Rama Gothic', and 'Rama Gothic Rounded' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, condensed, poster-ready, industrial, assertive, modern, space-saving, high impact, geometric consistency, modern utility, tall, monoline, rounded corners, rectilinear, compact.
A tall, tightly condensed sans with heavy, monoline strokes and a compact, vertical rhythm. Curves are built from rounded-rectangle/superellipse forms, producing squarish counters and softened corners rather than fully circular bowls. Terminals are clean and mostly flat, with minimal modulation and a consistent, engineered feel across letters and numerals. The lowercase appears relatively large with short extenders, supporting dense setting while keeping shapes legible through open apertures and sturdy joins.
Best suited to headlines, posters, and signage where condensed width and strong verticality help pack information into tight spaces. It also works well for bold brand marks, packaging titles, and editorial display lines that need a compact, high-impact texture.
The overall tone is forceful and utilitarian, with a contemporary, no-nonsense presence. Its compressed width and blocky rounding read as industrial and urban, lending a confident, headline-driven character that feels designed for impact rather than delicacy.
The design appears intended to deliver maximum presence in a narrow footprint, using superellipse-based geometry to keep counters stable and shapes consistent at large sizes. It prioritizes a strong, contemporary voice and efficient space usage, making it ideal for display typography in layouts that demand density and clarity.
Round letters like O/Q show a vertically emphasized, rounded-rect outline, and the numerals follow the same narrow, sturdy construction for a cohesive text-and-display palette. The punctuation in the samples stays visually minimal, letting the tall letterforms dominate the texture.