Sans Superellipse Myfu 2 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, logos, signage, industrial, retro, playful, sturdy, poster-ready, impact, distinctiveness, retro flavor, brand voice, signage clarity, blocky, rounded corners, soft-rectilinear, compact, high-impact.
A very heavy, block-forward sans built from softly squared curves and rounded-rectangle counters. Strokes are thick and confident with minimal modulation, and terminals tend to end in blunt, rounded corners rather than sharp cuts. The forms feel slightly compressed and compact, with tall, narrow silhouettes in many letters and small internal apertures that emphasize mass and solidity. Curves (like C, O, S, 3) read as superelliptical—neither fully circular nor purely rectilinear—creating a cohesive, rubber-stamp-like rhythm across the alphabet and figures.
Best suited to short, high-impact copy such as posters, headlines, labels, packaging, and bold logotypes where its compact, blocky shapes can read as a graphic element. It can also work for punchy UI or wayfinding moments at larger sizes, but the tight apertures and heavy texture favor display settings over long-form text.
The overall tone is bold and assertive with a friendly edge. Its rounded-square geometry gives it a retro display flavor—part industrial sign-painting, part toy-block sturdiness—making text feel energetic and attention-grabbing rather than neutral.
The design appears intended to deliver maximum presence with a cohesive rounded-rectangle construction, combining industrial sturdiness with approachable softness. Its letterforms prioritize bold silhouette recognition and a distinctive, retro-leaning texture that stands out in branding and display typography.
Uppercase and lowercase share a consistent, monoline, rounded-rect logic, helping mixed-case settings look unified and chunky. The numerals echo the same softened corners and tight counters, keeping figures visually dense and headline-friendly. In running lines the dark color builds quickly, so spacing and size will strongly influence readability.