Sans Superellipse Jusa 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut, 'FTY Konkrete' by The Fontry, and 'House Sans' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, techno, retro, assertive, mechanical, high impact, geometric system, signage clarity, brand distinctiveness, squared, rounded corners, blocky, stencil-like, compact.
A heavy, block-constructed sans with squared silhouettes softened by consistently rounded corners. Strokes are uniform and dense, with tight counters and rectangular apertures that create a compact, high-ink texture. Many joins and terminals are cut with straight, orthogonal edges, producing a modular rhythm, while interior cuts and notches add a slightly stencil-like, engineered feel. Curves (where present) read as superellipse-like rounded rectangles rather than circular forms, keeping the overall geometry rigid and controlled.
Best suited for display applications where impact and a compact, mechanical rhythm are desirable—headlines, posters, logotypes, product packaging, and bold wayfinding or labels. It also works well for tech- or game-adjacent branding and UI moments that need a strong, modular wordshape at larger sizes.
The font conveys an industrial, techno-leaning tone with a retro arcade and signage flavor. Its chunky forms and squared rounds feel mechanical and purposeful, projecting strength and no-nonsense clarity. The engineered cut-ins add a hint of utilitarian toughness, making the texture feel bold and confident.
The design appears intended to deliver maximum visual punch through dense, rectangular forms while maintaining friendly rounding for approachability. The consistent geometry and internal cut details suggest a goal of creating a distinctive, engineered identity that remains legible and cohesive across letters and numbers.
In running text the dark color and narrow internal spaces create a strong, poster-like presence rather than an airy reading texture. Uppercase forms feel especially monolithic and stable, while the lowercase maintains the same constructed logic, keeping a consistent, systematized voice across the set. Numerals follow the same squared, rounded-rectangle logic for a cohesive display palette.