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Free for Commercial Use

Sans Normal Igmep 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Miura' by DSType, 'FS Aldrin' and 'FS Emeric' by Fontsmith, 'Catesque' by Gumpita Rahayu, and 'Frygia' by Stawix (names referenced only for comparison).

Keywords: ui labels, packaging, posters, headlines, branding, friendly, casual, playful, approachable, modern, soft modernity, friendly readability, casual emphasis, approachability, rounded, soft terminals, oblique, monoline, open counters.


Free for commercial use
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A rounded sans with a consistently monoline stroke and soft, fully rounded terminals throughout. The oblique slant is steady across caps, lowercase, and figures, giving the forms a forward-leaning, handwritten energy while staying clean and constructed. Curves are broad and smooth with generous openings in letters like C, S, and e, and counters remain open rather than tightly enclosed. Uppercase forms are simple and geometric-leaning, while the lowercase introduces more personality in shapes like a and g, keeping a cohesive, softly inflated rhythm. Numerals follow the same rounded logic, with smooth curves and clear, friendly silhouettes.

Well-suited to interface labels, app screens, and short-to-medium text where a warm, approachable tone is desired. It also works nicely for branding, packaging, and posters that benefit from a rounded, friendly voice, especially in youth-oriented or lifestyle contexts.

The overall tone is upbeat and approachable, reading as informal without becoming messy. Its rounded construction and gentle slant suggest friendliness and motion, making it feel conversational and contemporary rather than technical or severe.

The font appears intended to blend the clarity of a modern sans with the charm of a soft, italicized, human-friendly rhythm. It prioritizes smooth curves, open shapes, and comfortable readability while adding personality through rounded terminals and a consistent forward slant.

The design maintains a consistent softness across diagonals and joins (notably in V/W/X/Y), avoiding sharp vertices. Spacing in the samples appears even and readable, with letterforms designed to stay clear at text sizes while still showing a distinctive rounded character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸