Sans Superellipse Dulej 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Tenby' by Paragraph and 'Atlics' by Rhtype (names referenced only for comparison).
Keywords: ui labels, signage, headlines, posters, branding, techy, futuristic, industrial, retro-digital, utilitarian, systemic feel, tech branding, interface clarity, geometric cohesion, rounded corners, squared curves, soft geometry, high contrast, open counters.
A geometric sans built from rounded-rectangle and superellipse-like shapes, with consistent stroke thickness and generously rounded outer corners. Curves tend to resolve into squared-off bowls and terminals, creating a rectilinear rhythm rather than fully circular forms. The capitals are compact and sturdy with wide, stable stems, while lowercase forms keep a clean, engineered feel with simple joins and minimal modulation. Numerals follow the same soft-square geometry, reading clearly with broad contours and restrained interior spaces.
Well-suited to display and short-to-medium settings where a geometric, screen-friendly voice is desired—such as UI/UX labels, dashboards, product panels, packaging, and wayfinding. It can also serve in tech-oriented branding and poster headlines where a structured, futuristic texture is an advantage.
The overall tone feels technical and purpose-built, echoing digital interfaces, equipment labeling, and sci‑fi or retro-futuristic design. Its softened corners keep the mood approachable, while the squared curves maintain an industrial, system-like character.
Likely designed to translate a soft-square, superelliptical construction into a practical sans that remains legible while projecting a contemporary, engineered personality. The consistent stroke weight and repeated radii suggest an intent to feel systematic and cohesive across letters and numbers.
The design relies on repeated corner radii and straight-to-curve transitions, which gives text a uniform, modular texture. Counters are generally open and uncomplicated, favoring clarity over decorative nuance, and the punctuation/figures visually match the font’s rounded-rect logic.