Sans Superellipse Pimob 4 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Karepe FX' by Differentialtype; 'Curtain Up JNL' by Jeff Levine; 'Fresno' by Parkinson; 'Goodland' by Swell Type; 'Angmar', 'Delonie', and 'Headpen' by Umka Type; and 'Matricule 59' by designdefontes (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, condensed, retro, assertive, utilitarian, space saving, high impact, signage clarity, geometric uniformity, retro display, rounded corners, squared bowls, vertical stress, compact, blocky.
This typeface is built from compact, squared silhouettes with generously rounded corners, giving counters and bowls a soft-rectangular (superellipse-like) geometry. Strokes stay consistently heavy and even, with a predominantly vertical rhythm and minimal modulation. Curves are tightened into rounded rectangles, terminals are clean and blunt, and the overall construction favors tall proportions with tight internal space for a dense, impactful texture. The lowercase mirrors the uppercase’s structure, keeping forms sturdy and simplified, while numerals follow the same tall, compact, rounded-rectangular logic.
Best suited for short, high-impact settings such as headlines, posters, signage, and bold branding where compact width and strong presence are advantages. It can also work on packaging and labels that need an industrial or retro display voice, especially when set with generous tracking or ample line spacing.
The tone is bold and no-nonsense, combining an industrial, engineered feel with a subtle retro signage character. Its compact build and squared curves read confident and functional, projecting urgency and strength rather than softness or delicacy.
The design appears intended to deliver maximum impact in tight horizontal space, using rounded-rectangular geometry to balance toughness with approachability. Its simplified, sturdy letterforms prioritize clear silhouettes and a consistent, engineered rhythm for display typography.
The dense fit and narrow internal counters make the texture visually solid, especially in running text. Rounded corners prevent the heavy forms from feeling overly harsh, while the tall proportions help preserve legibility in condensed settings.