Sans Faceted Abdil 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Charles Wright' by K-Type and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, techno, athletic, retro, assertive, impact, geometric styling, industrial tone, signage clarity, brand presence, octagonal, chamfered, geometric, blocky, angular.
A heavy, geometric sans with sharp chamfered corners and faceted, near-octagonal counters that replace most curves with straight segments. Strokes are consistently thick and largely monoline, producing a solid, blocky color with minimal contrast. Proportions feel square-shouldered with wide caps, compact apertures, and crisp terminals; rounded forms like O, C, and G are constructed from planar facets rather than continuous arcs. Numerals and capitals share the same hard-edged construction, giving the set a tightly unified, engineered rhythm in display sizes.
Best suited for short, high-impact settings such as headlines, posters, logos, team/athletics branding, and bold packaging callouts. It also works well for UI labels, badges, and signage when set at generous sizes where the faceted details and octagonal counters remain clear.
The faceted geometry reads as industrial and performance-minded, evoking signage, machinery, and sports identity systems. Its hard corners and dense weight communicate confidence and urgency, with a slightly retro arcade/scoreboard flavor that still feels contemporary in tech contexts.
The letterforms appear designed to translate a utilitarian sans skeleton into a faceted, cut-metal aesthetic, prioritizing strong presence and consistent angular construction. The goal seems to be a robust display face that feels engineered and modern while retaining a recognizable, straightforward sans structure.
The design relies on consistent corner chamfers across the alphabet, which helps maintain coherence at large sizes but can reduce distinctiveness in small text where inner counters and apertures tighten. Lowercase forms mirror the same angular logic, keeping the tone uniform across mixed-case settings.