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Free for Commercial Use

Sans Normal Lomus 6 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe; 'Malva' by Harbor Type; 'Equip', 'Foro Sans', and 'Qubo' by Hoftype; 'Altivo' by Kostic; and 'Core Sans N SC' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, energetic, assertive, playful, contemporary, impact, momentum, promotional, attention, slanted, chunky, compact, rounded, punchy.


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A heavy, slanted sans with compact counters, rounded bowls, and broad, blunt terminals. The strokes stay consistently thick with minimal modulation, giving the letterforms a dense, graphic silhouette. Curves are smooth and slightly squashed horizontally, while diagonals (as in K, V, W, X) feel crisp and forceful. Spacing appears on the tight side, producing a solid, blocky texture in words, and the numerals mirror the same sturdy, rounded construction.

Best suited for display sizes where its weight and slant can deliver maximum impact—headlines, posters, bold editorial callouts, and prominent UI/marketing banners. It can work well in branding and packaging that needs an energetic, contemporary feel, particularly in sport-leaning or youth-oriented contexts. For longer copy, it performs more like a strong accent font than a primary text face due to its dense forms and tight texture.

The overall tone is bold and kinetic, leaning toward a sporty, promotional voice. Its slant and massing create a sense of speed and urgency, while the rounded construction keeps it friendly rather than severe. It reads as attention-grabbing and modern, well-suited to high-impact messaging.

The design appears intended to provide a high-impact, forward-leaning sans that communicates momentum and confidence. Its rounded, low-detail construction prioritizes bold silhouette recognition and consistent rhythm in large, promotional typography.

Round letters like O and Q are notably full and weighty, with the Q featuring a clear, assertive tail. Lowercase forms maintain the same muscular build, with single-storey shapes and compact apertures that emphasize punch over delicacy. The sample text shows strong line-to-line color and a pronounced forward motion that remains consistent across longer settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸