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Free for Commercial Use

Sans Superellipse Pikup 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'Burger Honren' by IRF Lab Studio, and 'Beni' by Nois (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, condensed, assertive, industrial, sports, poster, space saving, maximum impact, systematic geometry, display emphasis, blocky, compact, sturdy, punchy, high impact.


Free for commercial use
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This typeface is built from tall, compact forms with heavy, uniform strokes and tightly controlled counters. Curves tend to resolve into rounded-rectangle shapes rather than open, calligraphic arcs, giving bowls and terminals a squared-off softness. The rhythm is dense and vertical, with short crossbars, minimal aperture opening, and simplified interior spaces that keep color consistent across lines. Uppercase and lowercase share a robust, utilitarian construction, while numerals follow the same compressed, block-forward logic for strong alignment in display settings.

It performs best in short, bold statements such as posters, headlines, and large-scale signage where its compact width and dense color maximize impact. It can also work for sports branding, labels, and packaging systems that need strong vertical emphasis and consistent, blocky texture across mixed-case text and numerals.

The overall tone is forceful and no-nonsense, projecting a compressed, high-energy presence that reads as sporty and industrial. Its tight proportions and solid silhouettes create urgency and impact, making it feel suited to attention-grabbing messaging rather than quiet editorial texture.

The design appears intended to deliver maximum visual punch in limited horizontal space, using rounded-rect geometry and uniform stroke weight to maintain a solid, consistent typographic color. Its construction favors clarity at display sizes and a commanding, compressed silhouette for branding and promotional copy.

Because counters are relatively small and the shapes are tightly packed, the design holds up best when given room to breathe through generous tracking or larger sizes. The superelliptical rounding keeps the heavy weight from feeling brittle, adding a controlled softness to an otherwise rigid, engineered voice.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
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11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸